Finishing
- Tape to Film via Digital Intermediate
- Shoot HD Tape in Camera
using SRW, D5, HD Cam or DVC Pro HD
- Downconvert HD tapes
to Digi Beta, Beta Sp, DV Cam, DV, or VHS
- Rent or buy an off
line non-linear editing system (Avid, Final Cut Pro, Premiere, etc)
- Input (digitize) the
video tapes into the editing system
- Spend as much time
as needed to make creative decisions and edit the material into the final
edited version. No cutting is actually done since all the information is on
a hard drive. Slug out sections (leave space holders) for effects and titles.
- Create a Data File
of Effects, Supers, Titles, etc. Downconvert these elements and input into
the edit system.
- Output an Edit Decision
List (EDL) from the edit system that represents the final editing decisions.
- Give the EDL, the original
film Data File, & Effects Data File to an on-line Data File editing session.
During an auto-conform editing session the a final video Data File Master
will be created that will match the final edit
- Make a sound track
master by creating or improving the dialog, effects & music.
- Input final audio master
into the Data File
- Make an Optical Negative
Sound Track
- Do a tape to tape color
correct session
- Make a Film Out Film
Negative (HD Video to a Film Negative)
- From Film Out Negative
and Optical Neg Track make a Composite Check Print
- After approval of the
Check Print, make Release Prints