Finishing
- High Def Tape to Film
- Shoot HD Tape in Camera
using SRW, D5, HD Cam or DVC Pro HD
- Downconvert HD tapes
to Digi Beta, Beta Sp, DV Cam, DV, or VHS
- Rent or buy an off
line non-linear editing system (Avid, Final Cut Pro, Premiere, etc)
- Input (digitize) the
video tapes into the editing system
- Spend as much time
as needed to make creative decisions and edit the material into the final
edited version. No cutting is actually done since all the information is on
a hard drive. Slug out sections (leave space holders) for effects and titles.
- Create Effects, Supers,
Titles, etc on HD tape format. Downconvert these elements and input into the
edit system.
- Output an Edit Decision
List (EDL) from the edit system that represents the final editing decisions.
- Give the EDL, original
HD Camera Tapes, & HD Effects to an on-line editing session. During an auto-conform
editing session the a final HD Master will be created that matches the final
edit.
- Do a tape to tape color
correct session
- Layback finished audio
to HD tape master
- Make a Film Out Film
Negative (HD Video to a Film Negative)
- Make a sound track
master by creating or improving the dialog, effects & music. Sync the audio
to the video. Make an Optical Negative Sound Track
- From Film Out Negative
and Optical Neg Track make a Composite Check Print
- After approval of the
Check Print, make Release Prints